Leaving Cert Music
  • Welcome
    • 5th yr xmas '15
    • 5th Year Xmas test '12
  • Composition
    • Basic sight singing
    • Harmony homework
    • Melody Homework
    • Tonic Solfa and basic rhythm >
      • 4-bar pentatonic
      • 16-bar Rhythmic plan
    • 8-Bar melodies >
      • In G
      • In D
      • In A
      • In E
      • In F
      • In Bb
      • In Eb
      • In Ab
    • Form/Cadence
    • Modulation/Sequence
    • Minor - Theory and listening >
      • Minor Harmony Q.5 2012
      • Minor Tonic Solfa
    • Sample melodies >
      • 2012
      • 2008 and 2010
      • 2007 and 2009
      • Q.3 2006 and 2010
    • Rules - guidelines >
      • Scales and chords
    • Harmony Basics >
      • Harmony 2005
      • Harmony Loose ends
  • Bohemian Rhapsody
    • Form and Audio
    • Instruments
  • Romeo and Juliet
    • Themes
    • Video
    • Structure
    • Glossary of Terms and other features
    • Work sheets
    • Exam questions
  • Bach Cantata
    • 1st Movement - Chorus
    • 2nd Movement - Aria Duet
    • 3rd Movement Tenor Recitative
    • 4th Movement Tenor Aria
    • 5th Movement Bass Recitative
    • 6th Movement Bass Aria
    • 7th Movement - Chorale
    • Tonality and Form
    • Hymn
    • Important Terms
    • Comparisons
    • Test
  • Piano Quartet
    • Section by Section
    • How to remember all the sections
    • Use of Canon
    • Themes
    • Glossary of terms
    • Time Signatures
    • Exam questions
  • Traditional Irish Music
    • Listening to Traditional Irish Music >
      • listening practice
      • Trad past paper listening excerpts
    • Traditional Irish Dance Music
    • Céilí bands
    • The Irish Harp
    • Traditional Instruments >
      • Uilleann Pipes
    • Sean Nós Singing
    • The song tradition
    • Regional Styles
    • Ornamentation
    • Seán O'Riada
    • Changes/ Developments
    • Fusion
    • Michael McGlynn, Dúlamán, (fusion)
    • American folk
    • Collectors
    • Danu
    • Muireann nic Amhlaoibh
    • Organisations
    • The exam
  • Listening
    • Style
    • Listening homework
    • Texture
    • Timbre
    • Tonality
    • Form
    • Tempo, Dynamics, Articulation, Pitch
    • Q.6 Unprepared listening excerpts
    • Un-prepared "Analysis" >
      • Halleluia Chorus
      • Muse - Exogenesis symphony pt.3
      • Stravinsky L.C. '0
      • Dambusters
      • Inception - Hans Zimmer
      • timedance and iris
    • Great Music >
      • Beethoven
      • Stravinsky's Rite of Spring
      • French Impressionism
  • The Beatles
    • Sgt. Pepper album
    • George Martin's recording notes
    • Sgt. Pepper song
    • She's Leaving Home
    • When I'm 64
  • Seachanges
    • Homework
    • Introduction
    • Section 1
    • Section 2
    • Section 3
    • Section 4
    • Section 5
    • Section 6
  • Berlioz
    • Ideé Fixé
    • 2nd movement "A Ball"
    • 4th Movement "March to the scaffold"
  • Mozart
    • Themes
    • 1st Movement - Sonata Form
    • 2nd Movement - Ternary form (ABA)
    • 3rd Movement Sonata Rondo form
    • Score and Tonality
    • The piano
    • Documentary - The genius of Mozart
    • Key Listening practice
  • Course Content
Tempo means speed. Ask yourself is the music fast medium
or slow? Also, does it remain steady or change. For example, lots of music slows
down at the end. Be careful however not to mix up tempo with dynamics or
articulation. Sometimes music can appear to be faster when it’s louder or more
staccato.
Useful terms
Lento – Very slow
Adagio – Slow
Andante – At a walking pace
Moderato – Moderately
Allegro – Lively
Vivace – Fast
Ritardando (rit.) gradually slower
Accelerando (accel.) gradually faster
Allargando (Broadening out)
Dynamics means loud and soft. Dynamic changes are a feature of Art music (classical music) but not usually in Pop/Rock or Trad.
Useful terms
pp – Pianissimo – very soft
p – Piano – soft
mp – mezzo piano – moderately soft
mf – mezzo forte – moderately loud
f – Forte – loud
ff – Fortissimo – very loud
Crescendo (cresc.) – gradually louder
Diminuendo (dim.) – gradually softer
Articulation basically means legato (smooth or joined) or staccato (detached).
Very often there is a mixture of both. There can also be different degrees of staccato.
Some instruments will naturally be less legato than others. Brass for example have an
attack at the start of most notes making them slightly detached
Pitch is concerned with the actual notes being played.
Step movement or scales passages is notes moving to the note next to it etc.
Leap is when notes are skipped, like when notes of a chord are used in a melody.

Range is the distance from the lowest note in a tune to the highest.
A Sequence is a pattern of notes which repeats, but each repeat starts at a different pitch.
Ostinato is a repeated musical idea. It doesn’t have to involve pitch but often does.


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