Leaving Cert Music
  • Welcome
    • 5th yr xmas '15
    • 5th Year Xmas test '12
  • Composition
    • Basic sight singing
    • Harmony homework
    • Melody Homework
    • Tonic Solfa and basic rhythm >
      • 4-bar pentatonic
      • 16-bar Rhythmic plan
    • 8-Bar melodies >
      • In G
      • In D
      • In A
      • In E
      • In F
      • In Bb
      • In Eb
      • In Ab
    • Form/Cadence
    • Modulation/Sequence
    • Minor - Theory and listening >
      • Minor Harmony Q.5 2012
      • Minor Tonic Solfa
    • Sample melodies >
      • 2012
      • 2008 and 2010
      • 2007 and 2009
      • Q.3 2006 and 2010
    • Rules - guidelines >
      • Scales and chords
    • Harmony Basics >
      • Harmony 2005
      • Harmony Loose ends
  • Bohemian Rhapsody
    • Form and Audio
    • Instruments
  • Romeo and Juliet
    • Themes
    • Video
    • Structure
    • Glossary of Terms and other features
    • Work sheets
    • Exam questions
  • Bach Cantata
    • 1st Movement - Chorus
    • 2nd Movement - Aria Duet
    • 3rd Movement Tenor Recitative
    • 4th Movement Tenor Aria
    • 5th Movement Bass Recitative
    • 6th Movement Bass Aria
    • 7th Movement - Chorale
    • Tonality and Form
    • Hymn
    • Important Terms
    • Comparisons
    • Test
  • Piano Quartet
    • Section by Section
    • How to remember all the sections
    • Use of Canon
    • Themes
    • Glossary of terms
    • Time Signatures
    • Exam questions
  • Traditional Irish Music
    • Listening to Traditional Irish Music >
      • listening practice
      • Trad past paper listening excerpts
    • Traditional Irish Dance Music
    • Céilí bands
    • The Irish Harp
    • Traditional Instruments >
      • Uilleann Pipes
    • Sean Nós Singing
    • The song tradition
    • Regional Styles
    • Ornamentation
    • Seán O'Riada
    • Changes/ Developments
    • Fusion
    • Michael McGlynn, Dúlamán, (fusion)
    • American folk
    • Collectors
    • Danu
    • Muireann nic Amhlaoibh
    • Organisations
    • The exam
  • Listening
    • Style
    • Listening homework
    • Texture
    • Timbre
    • Tonality
    • Form
    • Tempo, Dynamics, Articulation, Pitch
    • Q.6 Unprepared listening excerpts
    • Un-prepared "Analysis" >
      • Halleluia Chorus
      • Muse - Exogenesis symphony pt.3
      • Stravinsky L.C. '0
      • Dambusters
      • Inception - Hans Zimmer
      • timedance and iris
    • Great Music >
      • Beethoven
      • Stravinsky's Rite of Spring
      • French Impressionism
  • The Beatles
    • Sgt. Pepper album
    • George Martin's recording notes
    • Sgt. Pepper song
    • She's Leaving Home
    • When I'm 64
  • Seachanges
    • Homework
    • Introduction
    • Section 1
    • Section 2
    • Section 3
    • Section 4
    • Section 5
    • Section 6
  • Berlioz
    • Ideé Fixé
    • 2nd movement "A Ball"
    • 4th Movement "March to the scaffold"
  • Mozart
    • Themes
    • 1st Movement - Sonata Form
    • 2nd Movement - Ternary form (ABA)
    • 3rd Movement Sonata Rondo form
    • Score and Tonality
    • The piano
    • Documentary - The genius of Mozart
    • Key Listening practice
  • Course Content

Style

Here are some guidelines regarding the features of different styles. All the features don't need to be present to suggest the style
Classical - (like Mozart)
Orchestra won't feature Brass and percussion as much as Romantic music.
Alberti bass on piano.
Modest dynamics are used but not as obvious or dramatic as in Romantic music.
Some imitation and polyphony in general
Mostly homophonic however (melody and accompaniment), short melodies with clear cadences. (Can describe as classical textures)
"Nice", like Mozart. Nice melodies, not too dramatic, nice harmonies. 

Diatonic harmonies and modulation to closely related keys.
Romantic - (like Berlioz)
Larger orchestra often featuring Brass and percussion, often a very rich sound.
Much more dramatic with more extreme dynamics compared to Classical.
More complicated harmonies (chromatic harmony).
Very expressive music.
Contemporary - (like Seachanges)
Dissonance (clashy)
Changing time signatures
Irregular time signatures
any or all of the above
electronic
Baroque (like Bach) See the BACH pages on this site for videos of Baroque music
NO piano
Loads of polyphony, counterpoint
ornamentation
long elaborate melodies
Small ensembles of instruments often featuring harpsichord.
Jazz
Jazz instruments, saxophone, Double Bass, Piano, drum kit (brushes) brass, clarinets
Syncopation (rhythm)
Swing (rhythm)
Jazz harmony (spicy jazzy chords)
improvisation (make up)